Diane Markoff
Diane Markoff
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Diane Markoff is an American actress, photographer, and stage/location services professional, best known to television audiences for her recurring role as a waitress in Quincy, M.E. during the late 1970s and early 1980s. Over a career spanning more than four decades, she also appeared in Buck Rogers in the 25th Century, Cliffhangers, Young Doctors in Love, and Death Wish II, before transitioning into photography and location-stage management. She later directed operations at DC Stages in Los Angeles, a creative complex featured in the *Los Angeles Times* for its innovative reuse of industrial warehouses for filming. Her life blends performance, entrepreneurship, and philanthropy, particularly through her support of law-enforcement training and wildlife rescue.
Early life and family
Markoff grew up in Southern California. In a 2013 *Orange County Register* essay she reflected on a 1960 family visit to Mission San Juan Capistrano, calling the photograph from that day “a frame of time that explains who we were and what we carried forward.”[1]
Her father, who died young from heart complications, encouraged artistic pursuits; her mother’s perseverance after major surgery inspired the daily mantra “find a reason to put your feet on the floor.” Markoff has credited actor Jack Klugman with repeating that phrase to her during the filming of Quincy, M.E., where it became a personal motto.
Modeling and early publicity
By 1973, Markoff entered local beauty contests. The *Independent Press-Telegram* reported her as a semifinalist in the Miss Long Beach competition (Apr 1 1973) and a participant in the “Beauties to Tour Queen” pageant (Apr 12 1973).[2][3] The *News-Pilot* (May 29 1974) noted her participation in a Catalina Island event.[4]
These experiences led to commercial photo work—swimwear, Bugle Boy jeans, and print campaigns—introducing her to the Los Angeles casting world.
Acting career
Markoff’s screen appearances coincide with the boom of late-1970s genre television:
- The Incredible Hulk (1978) – The Girl / Janet
- The Hardy Boys / Nancy Drew Mysteries (1978) – guest role
- Buck Rogers in the 25th Century (1979) – Female PilotTemplate:Cite web
- Cliffhangers: The Secret Empire (1979) – Princess Tara, acknowledged in *The Sacramento Union* preview.[5]
Her longest engagement came with *Quincy, M.E.* (1979–1983), where she portrayed **Diane**, the recurring waitress at Danny’s restaurant. Her friendly interactions with Klugman’s Quincy added everyday realism.
Film roles followed:
- Young Doctors in Love (1982) – Emilia — ensemble comedy directed by Garry Marshall.
- Death Wish II (1982) – Supporting role (listed in AFI Catalog).[6]
- Harper Valley PTA (1982) – Pookey
- Alien Nation: Dark Horizon (1994) – Communications Officer
- The Final Wish (2018) – Librarian
Diane – Waitress at Danny’s Place

Fans of Quincy, M.E. will remember Diane, the friendly and unflappable waitress who worked at Danny’s Place, the marina-side restaurant that served as Quincy’s social hub away from the coroner’s office. Diane wasn’t a central character, but her presence anchored some of the show’s most relaxed and human moments. Whether she was topping off Quincy’s coffee or trading a quick line with Danny and the regulars, she brought a touch of normalcy to a series that often dealt with life, death, and moral dilemmas.
Danny’s Place was the on-screen name for the restaurant set built on Stage 25 at Universal Studios, with exterior scenes filmed on location at Marina del Rey, giving the show a genuine Southern California atmosphere. The blend of studio and real-world shooting helped sell the illusion of a working marina restaurant — viewers could probably almost feel the ocean breeze outside their windows.
Production-wise, these sequences were shot with a traditional Universal multi-camera setup common for series of that time, using warm key lighting and medium angles to emphasize conversation and camaraderie. The set was periodically redressed including a bar and large fish tank with nautical wall tapestries and reused, a practice typical of Universal soundstages of the era.
Diane’s appearances often opened or closed an episode, serving as small bridges between Quincy’s intense investigations and the personal world he returned to. She didn’t have big storylines, but her steady presence reminded viewers that, beneath Quincy’s crusading energy, there was still an ordinary man surrounded by friends, good food, and familiar faces down at the marina.
Photography and behind-the-camera work
In the mid-1980s Markoff redirected her creative efforts toward still photography and production logistics. She became known for her Nikon-based documentary style—catching the unnoticed gestures of crew and cast—and for her capacity to convert forgotten industrial corners into usable film spaces.
A *Los Angeles Times* feature, “Hollywood Does Remake of Old Industrial Sites” (2 July 1989), profiled her among warehouse-location agents transforming the city’s landscape.[7]
DC Stages, community engagement, and legacy
Markoff managed **DC Stages** into the 2010s, overseeing themed set rentals used for both entertainment and training. She donated space to local police departments for K-9 training and tactical drills, reflecting her commitment to civic service.
Her compassion extended to animal care—feeding birds and rescue animals around DC Stages and her home, often accompanied by her dog Buddy.
A publicly released drone tour in 2020 opened with Markoff greeting viewers; by 2021, the complex had been demolished, closing a chapter of Los Angeles filming history. She described the loss as “an end and a renewal—the sets served their stories, and stories move on.”
Later reflections and influence
Markoff continues to be recognized in retrospectives on *Quincy, M.E.* and late-1970s television. The *Star-Ledger* (Aug 3 2008) included her among “supporting faces we remember.”[8] Her career path—from pageants to television to location management—illustrates the fluidity of creative labor in Hollywood and the contributions of women behind the camera.
Selected filmography
Year | Title | Role | Notes / Citation |
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1978 | The Incredible Hulk (TV) | The Girl / Janet | Episode credit |
1979 | Buck Rogers in the 25th Century (TV) | Female Pilot | Template:Cite web |
1979 | Cliffhangers: The Secret Empire (TV) | Princess Tara | Template:Cite news |
1979–1983 | Quincy, M.E. (TV) | Diane (recurring waitress) | Template:Cite web |
1982 | Young Doctors in Love | Emilia | Template:Cite web |
1982 | Death Wish II | Supporting role | Template:Cite web |
1994 | Alien Nation: Dark Horizon | Communications Officer | Television movie |
2018 | The Final Wish | Librarian | Independent film |
External links
- Diane Markoff on IMDb
- Diane Markoff at Xwhois
- Diane Markoff at TV Guide
- Diane at Movie DB
- Classic TV Archive – Quincy, M.E. Season 7
- AFI Catalog – Death Wish II
- OC Register essay
- LA Times feature (1989)
- DC Stages Drone Tour (YouTube)
Gallery
Gallery 1: Movie Showcase
- Film and television appearances by Diane Markoff
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Quincy, M.E. (1979–1983) – recurring waitress "Diane". IMDb
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Cliffhangers: The Secret Empire (1979) – Princess Tara. IMDb
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Young Doctors in Love (1982) – Emilia, directed by Garry Marshall. IMDb
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Death Wish II (1982) – Supporting role. IMDb
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Alien Nation: Dark Horizon (1994) – Communications Officer. IMDb
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The Final Wish (2018) – Librarian. IMDb
Gallery 2: Personal Gallery
- Personal photographs and memories from Diane Markoff’s life
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Promotional portrait of Diane Markoff (1976).
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Family photo at Mission San Juan Capistrano (1960), later referenced in her 2013 OC Register essay.
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Diane with her father — a central figure in her writing and early inspiration.
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Publicity headshot (circa 1977).
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Self-portrait during photography phase (2005).
Gallery 3: Friends of Diane Gallery
- Friends, colleagues, and collaborators of Diane Markoff
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With Peter Falk on the Universal lot during Columbo shoot (1980s).
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Police K-9 training at DC Stages, supported by Markoff (2000s).
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Opening frame of DC Stages drone tour (2020) featuring Markoff greeting visitors.
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Markoff with film crew at DC Stages during production setup.
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Wrap party photo from Quincy, M.E. with cast and friends (1983).
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